Insights

On Revision

I'm not sure if I tackled this issue before, but even if I have, I think it bears repeating. Not too long ago I saw a writer talking about how it was important, every couple of years, to revise your books. Someone left a comment asking if this writer meant updating new covers, and the writer said yes, definitely updating new covers, but also keeping up with technology, like if your book features a pay phone, to nix it because it's so outdated.

That, folks, is one of the stupidest things I've ever heard.

Keep in mind, I don't think any book or story is ever truly perfect, at least in its writer's eyes. There's always something that can be changed, tweaked, made better. Even if a writer claims their story is as perfect as it is going to be, show it to them in a few years, see what they say then. Some authors have revised old work -- Dean Koontz comes to mind -- while others are content to leave things as they are.

And with today's digital age, revision can become quite tempting. After all, just like initially publishing the book or story, it's so easy. That doesn't mean, of course, a writer should do it.

Well, some might argue, what about typos and stuff like that?

Sure, I don't see anything wrong with fixing typos. Why wouldn't you?

What I think isn't a good idea is going back and changing whole passages, or -- gasp! -- entire chapters, just because maybe someone mentioned something in a review, or something's been bugging you. This is an issue of writers worried too much with past works, when they should be concentrating on present and future works.

Worried about a pay phone making your work seem outdated?

Tell me, do you read books? Do you watch movies? Have you seen Die Hard recently? I have, and you better believe they's some outdated stuff in there. Like when John McClane gets picked up at the airport by the limo, the driver makes a big deal about there being a car phone. Or when John McClane gets to the Nakatomi Plaza building, in the lobby, there's this thing where he types in his wife's name and it shows a map of the building, and it looks so old.

Well you know what? That's just how things are. Things get old. Things stay old.

That isn't to say it's not okay to revise works that haven't been published yet. Take my novella The Silver Ring for instance. When I wrote it back in high school, cell phones existed, but they weren't as common as they are today. Every teenager didn't own one. But when I decided to publish it a few years ago, I realized that it would be strange for my character not to carry a cell phone, so I addressed it it in the text. If the story had been published years and years ago, I wouldn't just go back and address the cell phone issue, because that would be silly.

Another example: when I originally wrote Man of Wax, the cell phone Ben used to communicate with Simon was a Nokia, as, at the time, Nokias were a common cell phone. But when I went to publish it back in 2011, Nokias weren't nearly as popular. In fact, I can't even remember the last time I saw a Nokia. So I changed it to an iPhone.

Will the iPhone fade away in the next ten years? Possibly. Will I then go back and change all the iPhones in the book to something more current? Absolutely not.

When something's published, it's published. That means, for better or worse, it's done. If something is really wrong with the text, okay, fine, go and change it. But ask yourself why the story suffered so much before being published.

As for updating the cover every couple of years? I think that's a great idea, if you can afford to do so. Major publishers rebrand the books of major authors all the time. It keeps things fresh and current and not, you know, boring.

Some Books I Really Enjoyed In 2012

I read just under sixty books this year, counting novels and short story collections and graphic novels and audiobooks (but not counting lit journals or other magazines). I enjoyed many of those books. Below are the books that I really enjoyed, in no particular order except in which I read/listened to them (I've also specified whether they were ebook or hardcover or paperback, for those who care about such things). Novels:

  • 11/22/63 by Stephen King (hardcover)
  • THE ODDS by Stewart O’Nan (hardcover)
  • TELL NO ONE by Harlan Coben (ebook)
  • GONE FOR GOOD by Harlan Coben (ebook)
  • CATCHING FIRE by Suzanne Collins (ebook)
  • THE SISTERS BROTHERS by Patrick deWitt (ebook)
  • WESTLAKE SOUL by Rio Youers (ebook)
  • MOCKINGJAY by Suzanne Collins (ebook)
  • SAMSON AND DENIAL by Robert Ford (ebook)
  • PINES by Blake Crouch (ebook)
  • THE LAST KIND WORDS by Tom Piccirilli (ebook)
  • CLOUD ATLAS by David Mitchell (ebook)
  • BIG MARIA by Johnny Shaw (ebook)

Stories:

  • THE WEATHER STATIONS by Ryan Call (ebook)
  • 8 POUNDS: EIGHT TALES OF CRIME, HORROR & SUSPENSE by Chris F. Holm (ebook)
  • FULLY LOADED: The Complete and Collected Stories of Blake Crouch (ebook)
  • SUDDENLY, A KNOCK AT THE DOOR by Etgar Keret (ebook)
  • THROTTLE by Joe Hill and Stephen King (ebook)
  • SCAR TISSUE by Marcus Sakey (ebook)

Nonfiction:

  • SH*T MY DAD SAYS by Justin Halpern (ebook)

Audiobooks:

  • THE AFFAIR by Lee Child, read by Dick Hill
  • CREOLE BELLE by James Lee Burke, read by Will Patton
  • BOSSYPANTS by Tina Fey, read by Tina Fey
  • THE DETACHMENT by Barry Eisler, read by Barry Eisler
  • GONE GIRL by Gillian Flynn, read by Julia Whelan and Kirby Heyborne

As you can see, the majority of the books I enjoyed were read digitally. I don't think the ereading experience swayed my opinion one way or the other when it came to each individual work, but I do find myself preferring digital more and more. Maybe that's why it's been taking me a few weeks so far to get through THE TWELVE by Justin Cronin and I'm not even 200 pages into it yet -- I'm reading the hardcover, instead of the ebook, which would be much more convenient as I would pretty much have it with me wherever I go. As I'm not about to take the hardcover around with me everywhere, the only chance I have to read it is at home, and when I'm at home, I find myself concentrating on other things ... like reading on my Kindle. Or, who knows, maybe the book itself just isn't as good as THE PASSAGE.

As is usually the case, there aren't a lot of women on the list, which reflects poorly on my reading selections. (I've got Jennifer Egan and Ann Patchett and Tana French, as well as many others, on my TBR pile, so don't crucify me!)

So anyway, that's what I read and enjoyed this year. How about you?

The Next Big Thing

Last week Tim Lebbon (have you listened to our podcast yet???) tagged me in his "The Next Big Thing" blog post thingy. It’s an ongoing process where one writer answers a series of questions (see below!), and then tags 5 others writers (see below the below!) who get to do it all again the following week. Sounds like fun, right? So here's the answers to these questions about the upcoming novel I co-authored with David B. Silva (below those questions, the names of five hapless writers who must continue this blog chain or else they'll be hit by a bus ... or something less extreme.)

1) What is the title of your next book?

Walk the Sky.

2) Where did the idea come from for the book?

Back in high school I wrote a weird western short story called "The Cactus." It was accepted for some weird western zine, which ended up folding before my story was published. So I set the story aside and sort of forgot about it while at the same time I didn't. I always knew I wanted to come back to it, but to do so much more. Then, when the opportunity came to do a collaboration with Dave Silva, I asked him if he was interested in writing a weird western and he said sure.

3) What genre does your book fall under?

Weird western. WHY ARE YOU MAKING ME REPEAT MYSELF?

4) What actors would you choose to play the part of your characters in a movie rendition?

Hard to say, as the book isn't even out yet and nobody knows who these characters are. But I think Daniel Day-Lewis would be good for one character, and maybe Jeremy Renner for another character.

5) What is the one-sentence synopsis of your book?

Two men, on a run from a posse set to kill them, come across a young mute boy in the middle of the desert ... a boy who draws the letters DED into the dirt when asked about the nearest town.

6) Will your book be self-published or represented by an agency?

It's a short novel, almost 40,000 words, so it wouldn't really be worth my agent's time to try to shop it around. And quite honestly, I don't have much interest in working with traditional publishers these days. It will, however, be published by a small press publisher as a limited edition hardcover. Then, awhile later, Dave and I will release paperback and digital versions.

7) How long did it take you to write the first draft of the manuscript?

Over a year, which is strange because the book is so short. But we both took our time, sending chapters back and forth while working on other projects, and are both pleased with how it turned out.

8) What other books would you compare this story to within your genre?

Not many weird westerns out there, which is one of the reasons I wanted to write this book, but notable weird westerns include Dead in the West by Joe Lansdale and, of course, Stephen King's Dark Tower saga has elements of western and horror.

9) Who or what inspired you to write this book?

I don't want to speak for Dave, but I wanted to work in a genre that hasn't been overdone quite yet.

10) What else about the book might pique the reader's interest?

It's great. Like, really, really, really great. And hey, there's an excerpt of Walk the Sky in my and Dave's most recent ebook At the Meade Bed & Breakfast (there's also a special giveaway contest!).

Now, I'm passing on the torch(es?) to these five awesome writers. Be sure to check out their blogs next Wednesday to see what they've been working on. And hey, buy some of their books while you're at it!

In Which Maurice Broaddus And I Talk About Dark Faith (And Politics)

Maurice Broaddus is a very busy man. Not only is he the author of The Knights of Breton Court novels (the omnibus newly released and cheap on Kindle -- grab it!), but every year he hosts Mo*Con, a great convention focused on conversations revolving around horror literature and spirituality. Oh, and with Jerry Gordon he edited the anthology Dark Faith in 2010, and both men just released a follow-up called Dark Faith: Invocations. Today Maurice and I talk about his novels, his convention, and the latest Dark Faith anthology -- all before getting to the really juicy stuff, like this blog post and this blog post. Even better, Maurice has been kind enough to offer up two (2) copies of Dark Faith: Invocations to give away. To learn how to win a copy, listen and enjoy.

In Which Maurice Broaddus And I Talk About Dark Faith (And Politics)

I Have Created A Monster

So remember how last week I talked about this tweet and how it had been retweeted nearly 400 times and I had my 15 minutes of Twitter fame? Yeah, I pretty much figured things would fizzle out over the weekend, but that wasn't the case. It kept getting retweeted and favorited again and again. In fact, William Gibson and Jodi Picoult even went to so far as to retweet it. Even right now as I type this the tweet is being retweeted and favorited. Sorta wild as, again, the tweet was never supposed to be much of anything at all.

As I mentioned last week, I was engaged by several people, either agreeing with the tweet or disagreeing. And this weekend was a lot more of the same. The most common counterpoint is that a writer writes a book and it can sell a million times, but a barista only makes one cup of coffee per person. Okay, as I mentioned before, the coffee/book thing isn't a great analogy. It was never supposed to be profound. But the point, really, is nowadays people don't want to pay for digital content. For them if it's not tangible, then they shouldn't have to pay for it. Many who tweeted me saw this point and agreed. Others still harped on the whole apples and oranges comparison (not to mention six bucks is way too expensive for a cup of coffee -- I had meant to put specialty coffee but it wouldn't fit in the original tweet). The former, I believe, are writers (and app developers, who also chimed in); the latter ... not writers (or app developers).

Also, judging by many of the responses, people seem to think writers sell a lot of books and make a lot of money. Which, of course, is very far from the truth. But that's the mindset, it seems, at least currently.

More than one person has congratulated me on the success of this tweet, and I'm like, it's just a stupid tweet. It doesn't mean anything. It's not like it has translated to a bunch of book sales or something. I've gained quite a few followers in the last couple of days, which is nice I guess, but anybody who knows me knows I don't really care about stuff like that. The only thing I have really come to learn from this whole experience is that being famous must be extremely exhausting.

Now, let me state clearly, I am not saying I am famous or even close to it. But famous actors and writers who have hundreds of thousands if not millions of followers on Twitter, they deal with the barrage of mentions every day. It becomes time-consuming skimming through all of them. As I mentioned, I only engaged a few, because I didn't have time or the patience to engage everyone. Normally if someone tweets me, I try to make some kind of response. After all, Twitter really is supposed to be social, a good conversation. But with what I experienced here ... it's like being on stage and a whole crowd of people yelling at you at once.

So anyway, my 15 minutes of Twitter fame has been extended a bit. So far I've had nearly 4,000 retweets, 700 favorites. So my question: where can I turn all that Twitter currency in for cash?